Have a look at the plane designed by Boeing for the sultan of brunei

All that inside the Aircraft are made of pure gold.

Furnitures and even a washbasin is made up of puregold. the flight full of gold furnished rooms makes us to feel like we having a look in the heaven.

The luxury golden flight will give a feel like a floating gold house when it is on the board.

Have a look at new plane designed by Boeing… for the sultan of brunei

 PLAYSTATIONhas bought up an new evaluation in gaming technology. From the beginning of its launch of the playstation its has hooked up its highest position in the gaming industry. And the sony entertainment has a major portion in this playstation.

                  The playstation is providing an very effective and a real time environment for the people who is fond of games. Its has attracted people out of age limits. Sony had played its debut for the mind blowing entertainment in the gaming industry.   

VIDEO:

   This PS3 is not only just a game town it also avails u to play  your favorite DVD’s which provides you an effect of an ordinary video players. This PS3 provides you an DTs sound effect. It also has an 80GB Hard Disk Drive(HDD) to look after your other video files

MUSIC,  PHOTOS & VIDEO:

   This PS3 is not only just a game town it also avails u to play  your favorite DVD’s which provides you an effect of an ordinary video players. This PS3 provides you an DTs sound effect. It also has an 80GB Hard Disk Drive(HDD) to look after your other video files

 PLAYSTATION3  Music is also avails you an option to play your favorite music with an high quality of sound effect. And no self-respecting entertainment fan should be without some tunes to stir the soul.

PLAYSTATION3 photos. The picture can speak thousand words and which could be managed in PS3. and a thanks to PS3 which allows its user to store, organize and display your valuable & memorable digital photos

HARRY POTTER as the world knows about its famous movies and novel much description is not need as so introduction of its characters and the artist who gave life to the imaginary characters. The story revolves around the MAGICAL WORLD.

This magical story is been picturerised in a way which takes us to the magical world where any thing is possible. All the soul in this world has its own magical power. As evey body knows Harry potter plays a lead role.

HARRY POTTER AND THE HALF-BLOOD PRINCE

Wizards and muggles beware no one is safe as Harry potter returns for his sixth year at Hogwarts in “Harry potter and the half blood prince”

This movie releases on Blu-ray and DVD. This movie has created over Rs.4500 crore box-office hit world wide, taking a franchise earnings over rs.25,000 crore in theaters world wide.

The story revolves like this; voldemort tightens his grip on Hogwarts as harryldore work to find the key to unlock the dark lord’s defense. But the students are under attack from very difference adversary teenage hormones. Love is the air, but tragedy lies ahead and Hogwarts may never be the again

I found a website which is very interesting and very useful to me and this website is all about fashion and the site is Named as FASHION EVOLUTION and the url is http://vinodhini.info/ .This site which gives the full information about the LATEST FASHION which prevails in the market.As you can search from A to Z for a the Latest Version.This site which is an AWESOME ONE IS GIVING THE details about the upcoming cloths and i found this site is also giving all kinds of Tips from various FASHION EXPERTS.Frankly speaking this site gave me a new look over fashion.Thanks to those Experts who Helped me for my New Looks.

The police even after a year of the attacks have still not given her the information she sought about her husband’s death.

Vinita Kamte in her book raised several questions for police – relating to co-ordination between the police control room and officers on the ground. According to her the police control room did not pass on to the officers crucial information which might have saved their lives.

Also it took 40 minutes for help to reach the officers. She has argued that if the help had arrived earlier Ashok Kamte, Hemant Karkare and Vijay Salaskar could have been saved.

Vinita Kamte also alleged that the committee setup to enquir on this issue was made up of mostly persons who were themselves interested in covering up their lapses.

The book of Vinita Kamte is sure a slap on the face of Maharashtra and Mumbai police and they have some serious questions to answer here.

Producer Vijay Gilani confirmed the development. He says, “Yes we are having a press conference on the 25 of November wherein we are unveiling the film as well as the promose”. When asked about following Aamir Khan’s style of publicising movies, he says, “No. I am not following him. In fact I do not even know what was done to unveil 3 Idiots, this concept I had planned a long way back”.

Gilani adds, “Once the promos are launched, we will have a four minute promo of Veer run during every screening of De Dana Dan, scheduled to play at every theatre and multiplex that has the De Dana Dan prints”.

Salman, whose movie ‘Veer’ releases on 22 January next year, has also launched the movie’s blog today. Though the launch was a quiet one sans the usual flamboyance, it remains special. Gilani says, “You see today is Salman’s dad Salim Khan’s birthday, so he has planned this like a sort of gift to his father since the movie is also based on a father-son relationship”.

The unique aspect here is that ‘Veer’ has been scripted by Salman Khan himself. After years of research, Salman Khan inked the story of what was to be his “dream project”, which is also being touted as one of the biggest Bollywood movies ever made. The movie is ser in the era of 1880 and is based upon the love story of a warrior “Veer” played by Salman Khan himself and his clan of barbaric warriors “Pindharis”, who were fearless warriors of the 19 Century.

While the story is written by Salman Khan, the screenplay and dialogues have been given by Sailesh Verma and Shaktimaan.

t has to be something different when it’s an Aamir Khan film. The music of 3 Idiots was launched on the internet followed by a virtual tete-e-tete with the stars of the film. Though Kareena Kapoor, R Madhavan and Sharman Joshi aren’t newcomers, the fresh look and feel of the movie is undeniable. So, what music lovers have to say about its music?

Shifting to the year’s most anticipated movie’s music album. ‘3 Idiots’ has five originals and two remixes by critically acclaimed composer-lyricist duo, Shantanu Moitra and Swanand Kirkire. They are back after a hiatus, so is it with a bang?

The first song of the album, Aal Izz Well, can easily take you back to your college days with its spontaneity and sheer melody. Sung by Sonu Nigam, who’s vim and vigour personified, the number is best to hear on full volume, while you croon along Aal Izz Well, even if it is not. Loaded with beats and whistles, Aal Izzz Well remix also makes for an impressive track.

Shantanu once said, “I have to get a childlike glee out of making music.” The next song in the album, Zoobi Doobi, picturised on Aamir and Bebo, is quick to get you swinging with its zing as the charismatic Sonu Nigam and Shreya Ghosal enthrall you with another romantic number. The only difference is the song is not as mellifluous as it is peppy and hummable. However, the remix version sounds a bit better because of its pace.

People who view screenwriting as an art and don’t particularly care about audience reaction to their films bristle at the thought of screenplay classes, in which Plot Element A and Plot Element B can be put together in such a way that– voila!– a hit is born. But Roland Emmerich has taken that very kind of formula writing and made a veritable empire out of it, returning every few years to destroy some corner of the earth and invent a handful of earnest heroes, wisecracking sidekicks and solemn old men to survive his newest take on the apocalypse. With 2012, as you probably could have guessed from the poster art of tidal waves crashing over the Himalayas, Emmerich is letting go of whatever restraint he might have had before. Clocking in at nearly three hours, boasting about a dozen major characters and at least half a dozen emotional death scenes, 2012 operates on the assumption that, if we liked seeing New York destroyed in The Day After Tomorrow and Washington D.C. zapped in Independence Day, we’ll really love witnessing the wholesale destruction of the globe. I hate to say it, but Emmerich is pretty much right. Far from conveying the horrors that might befall us should anything remotely so destructive happen, 2012 feels more like a soothing bath of Hollywood tropes and cliches, allowing us to witness Los Angeles slide into the ocean like Atlantis, but then warming us with a Woody Harrelson wisecrack and a rousing speech from Chiwetel Ejiofor. It’s numbing, sure, especially when the first half is nothing but CGI explosion after another, but on some level it’s exactly what we expect out of Hollywood– shallow spectacle and a bevy of stars, an adventure and a few moral lessons, a giant budget spent guaranteeing we won’t feel a bit different than we did when walking into the theater. If there’s any surprise at all in 2012, it’s that Chiwetel Ejiofor, not John Cusack, is in fact the star of the film. We meet him in what amount to the film’s prologue, a White House-employed geologist trying to prove to a cynical chief of staff (Oliver Platt, wonderfully hammy and villainous) that, in fact, the end is nigh. The cause is less important than the results– giant fissures open up in the earth’s surface, mountains turns to volcanos and skyscrapers turn to ash, and eventually tidal waves cover the entire earth’s surface. Billions of people die in the ensuing melee, but there are only a few we’re instructed to care about. Chief among them is Cusack and his family, who start driving out of Los Angeles seconds before the destruction begins thanks to a tip from Woody Harrelson, who plays a Yellowstone-residing conspiracy theorist who saw the whole thing coming and made a YouTube video about it (Emmerich’s nods toward modern concerns, like casting Danny Glover as the President and having characters constantly complain about cell service, head toward parody when Harrelson demands that Cusack “download my blog.”) Plot mechanics too silly to describe require Cusack, his ex-wife (Amanda Peet), her new boyfriend (Tom McCarthy) and their cutesy kids (Liam James and Morgan Lily) to fly a series of planes on their way to China, where they intend to save their own skins in a manner that’s best left discovered in the theater. Somewhere along the way George Segal perishes on a cruise ship, Danny Glover does the heroic Presidential thing, a Russian oligarch and his bratty kids team up with Cusack and company, and the main players in Washington– plus the President’s comely daughter (Thandie Newton)– all make their way to a souped-up version of Dick Cheney’s undisclosed location. The final quarter of the film, while utterly unnecessary to the disaster elements, is also the best section, finally abandoning generic and plasticine CGI for situations that feel real and dangerous. There’s no villain here, unless you count the merely loathsome Platt character, so it takes a lot of effort to keep putting the characters in danger, and by the end of the movie, Emmerich has most certainly run out ideas. But there’s something about the scale of it all, or maybe the way seemingly random characters tie into the main plot, that keeps the train chugging along. When Ejiofor gets to make his hero speech, and certain bad characters make good at the eleventh hour, it’s not quite a “This is our Independence Day!” moment, but it does come closer than any of Emmerich’s films since then. Somehow he’s got a real heart beating inside his movie, and no amount of groaner one-liners or thunderous explosions can take that away. Emmerich claims that 2012 is his final disaster movie, unless Independence Day 2 ever gets off the ground, and the movie is nothing if not an indulgent curtain call for the man who figured out how much we like watching cinematic portrayals of our own demise. It’s all the reasons we’ve ever loved or hated his movies, but also a reminder of why it’s high time to move on. When he ends the movie, no lie, on a bathroom, joke, it’s not exactly going out on top, but those of us who love Emmerich despite him wouldn’t have wanted it any other way.